Ghosts and Whispers

Sometimes a room finds you before you find it.

This one, with its soft light and creaking bones, has been waiting – a quiet keeper of stories and the scent of whiskey and wax. I’ve been calling it the Speak Easy, though the name feels more like a wink than a declaration. The leather chairs are sinkable, the walls marked with time and in the evenings, candlelight flickers like memory.

Well, that’s the plan anyway...

There’s something about old rooms – their quiet whispers, the way they hold traces of lives once lived. I’m learning to listen to that language of light and dust, of timbers and echoes as I shape this space into something new. As I move slowly toward light, laughter and gatherings again.

Morning light falling across a covered armchair and window inside Bank House, Rockley — a quiet room mid-restoration, filled with softness and memory.
Close-up of an ornate amber glass lamp, its crystal droplets glowing in the afternoon light — a touch of nostalgia inside the Speak Easy at Bank House.
A corner window framed by yellow trim and soft drapery, with whimsical wire cloud sculptures resting against the wall — part dreamscape, part work in progres
A view through furniture into the Speak Easy room — soft focus and golden tones hinting at hidden corners and quiet transformation within Bank House.
A corner window framed by yellow trim and soft drapery, with whimsical wire cloud sculptures resting against the wall — part dreamscape, part work in progres
White plastic sheet draped over a wooden chair in a room with curtains.
Decorative lamp with amber glass and teardrop shapes against a blurred background
Vintage cinema chairs with velvet and striped cushions in a room with draped fabric and a window.
Vintage-style lamp with brown shade and glass base next to a Southern Wild Co candle and metal holder on a white surface.


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Things that have shaped our thoughts this week

A Ginger Fluff Revival

A nod to the Country Women’s Association classic — the perfect cake for garden lunches and impromptu gatherings. 


Les fleurs dédaignées, Hilda Rix Nicholas

Dangerously Modern | Australian Women Artists in Europe 1890–1940

Art Gallery of New South Wales, 11 October 2025 – 15 February 2026

An unprecedented exhibition celebrating the women who broke with convention to pursue art abroad — from Grace Cossington Smith and Nora Heysen to the lesser-known Agnes Goodsir and Helen Stewart. Over 200 works tracing modernism’s wild, luminous edges. Read more →

Words That Stay

World of Interiors, October 2025 — Editor’s Letter

“If I go far enough, if I keep going past the boring, obedient part of me with its foot always riding the brake … I find myself moving out into another region, a bigger, broader place where everybody else lives: a fearless, open-hearted firmament where images swarm and there’s music, and poetry that we almost understand…”

Read | How to End a Story by Helen Garner
Garner’s third volume of diaries — sharp, intimate and deeply human.

Simmone Logue Sourdough Workshop

There are just a few places left for our dear friend Simmone Logue’s sourdough workshop at Essington Park on Saturday, 1 November 2025.

Simmone will share the art of creating your own starter, baking beautiful loaves, and preparing three of her favourite toppings for easy entertaining. Each guest will take home a portion of Simmone’s much-loved, three-year-old starter — a little piece of her kitchen to continue your own ritual at home.

Grab one of the last places for Simmone’s workshop

Hill End Analogue Festival | “Fugitive”

14–16 November 2025, Hill End NSW  

A biennial celebration of analogue photography, hosted across nine heritage buildings — with exhibitions, artist talks, performances and music.

Find out more →

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